PUBLISHED IN New Formations – Volume 2022 Number 107 & 108

I read Sara Ahmed’s Complaint! at a time where I had become exhausted and deflated with the sheer weight of what it means to be a first-generation Black woman researcher in academia. I came to Complaint! at a time when I didn’t have anything left in me to say. This, as Sara Ahmed explains, ‘can be a sign of how much you have to complain about’ [1]p153. The pure exhaustion of complaint had rendered me silent. There was so much to be said that if I started to complain, I didn’t know whether I could stop. Ahmed’s Complaint! reminded me however, that I didn’t even need to say anything to be registered as complaining, all I needed to do was turn up. Turning up was enough. Turning up became exhausting. Being the only Black woman in a white space, registers as complaint. Writing a literature review and discovering that next to nothing has been written in your area and then simply stating that discovery registers as complaint. I discovered that even confusion can register as a complaint when it comes to unwarranted advances made by external male academics. I wondered about the entanglement of complaint, the entanglement of complaint with my joy for academic exploration, with the considered support available to me at my home institution, and with the stimulating discussions which I delight in and get to take part in. This book came at this time.

About Author

Stephanie Ifill

Stephanie Ifill is a Doctoral Doctoral Candidate at the University of Westminster. She is the awardee of the University of Westminster’s Quintin Hogg PhD Studentship in Politics and the recipient of the PhD PSA Diverse Voices Scholarship. Stephanie’s work is a political onto-epistemology of becoming, of coming to voice. Her philosophy, characterised as a profound act of "languaging," courageously articulates from the intricacies of her entangled terrain.